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As with all professional mystics and neocheaters, honesty and integrity must be replaced with non-sequitur manipulations to support their destructive jobs and fake livelihoods. Such people must constantly invert values, making good appear as bad and bad appear as good. Neocheaters must always use non sequiturs to press their specious points on the public. For, to survive, they must continuously attack and lay guilt on the "greedy" value producers in order to control them, to live off them. Indeed, over the centuries, mystics and neocheaters have effectively used non sequiturs to attack and lay false guilt on business-minded value producers everywhere. ...The non sequitur is the neocheater's survival tool for usurping a bogus living from honest value producers.
Some neocheaters use non sequiturs in highly generalized ways. For example, Popes and leaders of the Catholic Church have for centuries brilliantly used inspiring art, great architecture, and classical music as non sequiturs. With that, the religious leaders created a mighty non sequitur. And projecting that non sequitur let them gain the public respect and credibility needed to usurp unearned power, values, and livelihoods from the value producers.
Indeed, the Catholic church saved itself through nonsequiturs during the rise of honesty and logic that occurred during the Renaissance. The master neocheaters of the Roman Catholic hierarchy recognized the starkly obvious values of the burgeoning, new art forms. They then captured those art values for exploitation by aggressively commissioning the most skilled artists to produce highly obvious values. The master neocheaters captured those values at first through architecture, the fine arts, and sculpture. Later they added music to their arsenal through the great classical composers. Governments and tyrants right up to Lenin, Hitler, and current neocheating rulers also seized that neocheating ploy. To gain easy credibility and to capture support through the emotions, they used the fine arts, literature, music, and opera.
Since the value of art can be sensed through emotions and requires no intellectual analysis, the public needs only to notice the obvious art and architectural values to erroneously link those values of the master artists to the master neocheaters presenting that art. Thus, the masses are deluded into seeing those obvious values of great art as also representing the values of the neocheating church or government. Subconsciously they conclude: "I can see, hear, and feel those architectural, art, and musical values. I know those values are real and valid. Thus, those values must also represent those who own and present this art -- the church or government. Therefore, all that I do not comprehend about the church or government must be as good and valuable as the art that represents them."
Through that brilliant, but dishonest use of art as non sequiturs, the church and governments were able to survive the rise of honesty and logic during the Renaissance, the resulting industrial revolution, and then the rise of capitalism and free enterprise.
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